From nitrate reels to TikTok loops, USC’s MA-CMS interrogates moving images through feminist, post-colonial and platform-studies lenses. Students digitize 16 mm prints with OCR-IIIF pipelines, run LDA topic models on studio memos, and curate XR re-creations of lost backlot sets. A Scalar (SCL) e-book capstone weaves GIF essays into theory, ensuring scholars who can code, curate and critique screen stories of every size.
D3 network graph of director-actor collaborations 1920-2020
Deepfake critique video essay deconstructing celebrity politics
Podcast on color-grading aesthetics across eras
Crowdsourced subtitle corpus for endangered languages
AI-generated storyboard comparison with auteur styles
VR symposium on queer cinema spectatorship
Restoration plan for nitrate home movies on acetate
Sentiment mapping of Cannes reviews via NLP
Algorithmic bias audit of Oscar nomination trends
Interactive timeline of Dolby sound tech evolution
Fan-vid anthology analyzing transformative works doctrine
AR overlay resurrecting demolished studio city streets
Policy memo on AI actors and SAG-AFTRA contracts
K-pop MV shot-length statistical analysis dashboard
Digital exhibit of protest cinema posters 1968-present
Critique, curate and code the stories that shape societies.
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