Whether mixing a Dolby Atmos soundtrack or designing a beam-steering PA for SoFi Stadium, USC’s Sound Engineering Arts majors live at the intersection of physics and perception. Students sweep anechoic chambers with Dirac Live, prototype FPGA-based FIR convolution engines, and tune spatial audio scenes in SPAT Revolution for XR concerts. Field-recording expeditions capture ambisonic wildlife beds in Joshua Tree, while psychoacoustics seminars deconstruct listener fatigue metrics. Business electives in sync licensing and touring logistics round out engineers who speak both Hertz and ROI.
Real-time DSP plug-in emulating plate reverb via GPU convolution
ML classifier flagging clipping artifacts in live broadcast feeds
Beam-forming algorithm for column arrays in reverberant cathedrals
IoT SPL sensor mesh mapping nightclub noise ordinances
Binaural podcast toolkit auto-mixing head-locked dialogue
Green touring power calculator comparing lithium vs. diesel gensets
Neurofeedback study on alpha-wave entrainment using 40 Hz sine bursts
3-D printed wave-guide optimizing HF dispersion for wedge monitors
Web-based hearing-threshold test calibrated with pink-noise MLS
Blockchain smart contract handling multi-artist royalty splits
AR app visualizing room modes through LiDAR spatial scans
Open-source loudness-range analyzer for TikTok compliance
Modular Eurorack module measuring THD of analog synth paths
Dataset of stadium impulse responses for machine-learning dereverb
Policy brief on OSHA ear-protection for immersive VR arcades
Portable solar-powered field-rec rig for bio-acoustics research
VR lab demo comparing ambisonic orders on immersion ratings
Craft sonic experiences that captivate arenas, streams and virtual worlds.
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