USC’s Visual Anthropology MA blurs ethnography and cinema. Field crews capture 8K RAW on RED Komodos, stitch volumetric VR scenes with Depthkit, and annotate footage in ELAN for gesture semiotics. Studios center decolonial praxis—projects require community story-rights and co-edit passes, while a Media Sovereignty clinic partners with Tongva scholars to prototype blockchain provenance ledgers for digital artifacts. Graduates author immersive documentaries that respect IRB, VRAM and ancestral protocols.
Volumetric capture of traditional dance with motion-analysis overlay
AR heritage trail app narrating erased urban sites
AI subtitle tool supporting endangered language fonts
Participatory photovoice project on gig-economy couriers
Blockchain provenance ledger safeguarding community media rights
360° doc exploring water rituals in drought regions
Eye-tracking study of gaze in intercultural video interviews
Ethics whitepaper on synthetic voices in docu-reenactments
Digital storyboard comparing linear vs. branchable ethnography
Multi-sensor audio archive of rainforest soundscapes
VR empathy simulation for migrant border crossings
Interactive map of diaspora food carts with oral-history clips
Open-source toolkit for anonymizing faces in 360° video
Comparative analysis of festival curation bias via NLP
Green-set workflow template reducing carbon on field shoots
Film, code and curate cultural stories with ethical precision.
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